PRINT - AND WISH FOR SOMETHIN BETTER? IS IT WRONG TO BE LOVED TO FACE THE FUTURE WITH ANOTHER
PRINT - AND WISH FOR SOMETHIN BETTER? IS IT WRONG TO BE LOVED TO FACE THE FUTURE WITH ANOTHER
PRINT - AND WISH FOR SOMETHIN BETTER? IS IT WRONG TO BE LOVED TO FACE THE FUTURE WITH ANOTHER
PRINT - AND WISH FOR SOMETHIN BETTER? IS IT WRONG TO BE LOVED TO FACE THE FUTURE WITH ANOTHER
PRINT - AND WISH FOR SOMETHIN BETTER? IS IT WRONG TO BE LOVED TO FACE THE FUTURE WITH ANOTHER
PRINT - AND WISH FOR SOMETHIN BETTER? IS IT WRONG TO BE LOVED TO FACE THE FUTURE WITH ANOTHER
PRINT - AND WISH FOR SOMETHIN BETTER? IS IT WRONG TO BE LOVED TO FACE THE FUTURE WITH ANOTHER

PRINT - AND WISH FOR SOMETHIN BETTER? IS IT WRONG TO BE LOVED TO FACE THE FUTURE WITH ANOTHER

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Now this is a moment. A full-on emotional mic drop disguised as a note. Big questions, bigger feelings—and probably a quiet breakup with Tony Thompson (sorry, Tony) and a mysterious hello to Jim. But if you asked Piper what’s really going on, she’d probably just roll her eyes and say, “Don’t be ridiculous. Take it easy.”

Piper’s work often starts with a scene—something from a movie, a lyric, a TV moment—that gets stuck in her heart. Then she flips it, filters it through her world of imaginary boyfriends, real-life family, and raw teenage honesty. The result? Notes like this one, full of longing, humour, and a little bit of poetic chaos.

Drawn in her signature scratchy pen style with just the right amount of emotional drama, this piece is Piper doing what she does best: turning tangled thoughts into beautiful, unforgettable truth bombs.